One could argue that these are feathers, not leaves, I suppose, but I prefer to think of them as leaves, and given that orange is a color strongly associated with autumn, leaves seem the more likely intent, at least to me.
The tie's rich fabric also has a brocade woven into it, as do so many of my favorites from this era. In this case, the brocade, which is at least slightly visible in the scan, consists of looping swirls or whorls, some vertically placed, some horizontal in their motion across the surface of the tie.
If I have any complaint about the tie, it is that it is not as wide as some, measuring a mere 3 1/4 inches across. It may possibly have been a bit wider originally, although I'm not really sure about that. Unlike some of the other ties I suspect of having been refolded or cut down, this one doesn't have a pattern that is obviously off center. The design on the tie seems aesthetically pleasing enough the way it is.
It could have been almost an inch wider I suppose, which would be right in keeping with the 4 1/4 inch width that so many of my forties era ties exhibit. The two edges of the tie overlap by about a half inch, and one side is folded over another half inch, so it could have been refolded and resewn to make it narrower, but it is difficult to know for sure.
The tie has one label sewn into the small end, which reads simply,
Penney'sThe label is obviously old and fraying. part of the word "Penney's" is unraveling and disappearing. The fabric of the tie itself is showing some signs of aging, and the tie is a little limp, and lacks "resilience," that characteristic so often touted on tie labels that read "resilient construction." Still, all in all, a brilliant exemplar of the classic forties era tie, and a pleasure to both own and wear!