Orange and Green with Triangles

The only possible connection between this tie and last week's is the color orange, and that's a tenuous connection, at best. I had to scan this tie twice in order to show you the entire design. My scanner bed simply isn't large enough, and I don't yet own a digital camera, although that situation may hopefully change soon.

In the first image, you have to look closely to see that the black lines which form the triangular design, somewhat reminiscent of suspension bridge cables, continue with another set down in the bottom forest green section, parallel to the large blank orange triangle.

And the primary reason for the second scan was to show the most interesting aspect of the design, which is how the lines all converge, and then diverge once again in the opposite direction, further up the tie.

This tie has both the sellers and manufacturer's labels intact. The first reads:

WILSON'S W SHIRT SHOP INC.
535 Broadway at Alder
Portland, Oregon

while the second is the familiar:

Fashion Craft
Cravats

with the letters SN enclosed in a diamond shape.

On the reverse we find the usual:

Resilient
Construction

Linked Circles with Floral Insets

One of the things I like to do with this blog is to make connections between ties, and to present ties in a related series. So after last week's exemplar, I thought of this example. What's the connection? The inset circular frames with their images of plants.

Last week's tie had birds inside diamond shaped frames, but also featured leaves inside smaller circle shaped frames. The frames on this tie are more oval shaped, but once again we have plant-like images, albeit somewhat stylized.

The basic pattern of the tie itself consists of rigidly overlapping interlocking white ovoids, on a brilliant blue background. Within the blue, imbedded into the fabric itself, is a swirling circular pattern of darker on lighter color, visible if you look closely.

This tie is narrower than many of the others I've posted, measuring only 3 1/4 inches at its widest point. This may mean that it is early fifties vintage rather than late forties, but that's only a hypothesis on my part. The tie has no labels to assist in its identification.

Another commonality with last week's tie is that some of the floral insets, as I'm calling them, have an orange background, as did those in last week's tie, again making this tie wearable with an orange shirt for a summery effect.

Tropical Egrets

Just when I thought I'd run out of tropical images, I remembered this tie! I don't know why, exactly, but the birds look tropical to me. Even though we have egrets in the Pacific NorthWest, those little framed picture vignettes project a tropical flavor to me. That giant moon (could be the sinking sun, I suppose), the foliage, and the bird: it all says tropics, somehow.

This poor old tie is definitely showing its age. Primarily through a loss of "resilience." The fabric is limp, and the tie no longer holds its shape very well. I note that "Resilient construction" is a favorite bragging term on many tie labels. Well, this tie has no labels, and if it did, resilient construction would certainly not apply, at least in its current state.

It's still a great summer tie, and the pale orange color of the background of the little picture vignettes, both the circular and diamond shaped ones, makes it a great choice with a pale orange shirt. I still manage to wear it once or twice each summer season.

I think I overdid it just a bit with my image enhancing software though. The color on screen is a bit stronger than what I'm seeing when I hold the tie in my hand. The body of the tie should be just a bit lighter, more towards tan, and less towards gold. My bad.

An interesting touch that you might not notice right off is the difference between the two bird pictures. The one lower down shows leaves, while the one further up shows bare wintery branches. Reminds one of that famous line by Shakespeare, perhaps:

Bare ruin'd choirs, where late the sweet birds sang.

Coral and Starfish

In one more nod to tropical themes, allow me to present this matched pair of light-weight Hawaiian style ties. Instead of a Hawaiian shirt, wear a Hawaiian tie!

I call them light-weight, because they are made of a very thin, silky slippery fabric, much like your typical Hawaiian shirt. Their bold white patterns on solid blue and red make a great splash of an effect when worn with a typical tropical suit, such as those made famous by Mark Twain or the Colonel.

It's lots of fun having the matched pair, although I'm not 100% positive where or when I got them. I'm thinking that I might have purchased them on eBay, or perhaps they were part of that set I bought from the vintage clothing store in Seattle (see my entry on the Burro, Sombrero and Hay Wagon), but I'm thinking not.

Each tie has a seller's label, stitched to the small end, about 5 inches up from the end, which reads:

Stewart's
California

and a manufacturer label stitched into the small end that reads

Hollyvogue
Resilient
Made in California

You may recall that Elongated Ovals had the same manufacturer's label.

Sunflowers, Union Made

Nothing says summer quite like sunflowers. These may not be depicted in their natural colors, but they do, nevertheless, suggest the rays of the summer sun, reflected in and symbolized by the sun-like shapes of the sunflower blossoms, and, frankly, by the waving stalks of grass, which also resemble tongues of flame streaming out from the sun's corona.

One can only surmise that this tie (like the Burro, Sombrero and Hay Wagon set) may have come in a variety of color combinations, the others of which we can only imagine.

This tie has a seller's label which reads:

Bishop's
Salem, Ore.

On the reverse of the label is another label, loosely stitched to it, which reads at the bottom:

UNION MADE NECKWEAR.

There is a union symbol, and more wording at the top, which is too faded to make out. I provide a close-up of the label here, for anyone who might be able to read more of it than I can.

Tropical Island

Well, this weekend we've been hit hard here with the same heat wave that has been hitting much of the rest of the country recently. It's been over 100º Fahrenheit the past couple of days, much too warm, especially when your abode lacks air conditioning, as ours does.

So, I thought another tie with a summer theme would certainly be in order. I don't suppose that a palm tree necessarily signifies summer, but one generally thinks of the tropics and warm weather when you see one.

According to the apparently hand-painted label on the reverse of the wide end of the tie, this tie is "INDIVIDUALLY HAND PAINTED." The paint was encrusted with glitter at one time, but much of it has vanished over the years, leaving mere remnants behind. The tie's single label reads the same as last week's tie:

Fashion Craft
Cravats

Summer Flowers

Actually, I don't know if these are summer flowers or not. Maybe they're spring or autumn flowers! But they somehow look like summer to me.

What kind of flowers are they? Maybe poppies? I don't know. Any flower experts out there are free to voice their views.

I've had this tie for many years. I'm fairly sure I collected it back during my college days, or shortly thereafter. In the 1970's, in other words. I probably found it at St. Vincent de Paul in Walla Walla, Washington. And I'm sure I paid less than $5.00. Maybe only $1 or $2.

The manufacturer's label reads simply (like at least one other of my posted specimens):

Fasion Craft
Cravats

On the reverse of the label it reads:

Resilient Construction.

This tie definitely shows its age, with signs of wear, and one serious stain, right above the first flower. Still, it makes a bold statement, colorful and bright.

Floral Paisley on Brown

There's not much really to say about this tie. It has no labels, unfortunately, and I don't remember exactly when or where I obtained it. I'm thinking it was a junk store find, relatively recent, i.e. within the past several years.

It's paisley on brown. The paisley's themselves have a vaguely floral filler, with leaf-like appendages that give the impression of a swimming creature such as a paramecium. I don't know how well they'll show up on the scanned screen image, but in between the paisley designs are a filler of black lines comprising a mass of connected small irregular shapes somewhat resembling bones.

This is the last of the prominently paisley designs from my vintage tie collection. I won't swear that there is nothing else paisley lurking in my closet, in fact, I have an entire tie rack of more modern paisley designs, but for the vintage ties, this is pretty much it. So let's review: here's a list (with links) of the paisley designs presented thus far:

Dad's Red and Blue Paisley--January 8, 2006
Paisley Arches--June 4, 2006
Green and Tan Paisley on Brown--June 11, 2006
Pseudo-Meta-Paisley from Hawaii--July 2, 2006

and now:

Floral Paisley on Brown

Pseudo-Meta-Paisley from Hawaii

Continuing a kind of theme (a pseudo theme, perhaps?) from last week, I present another tie with a Hawaiian connection. The seller's label on this tie reads:

Popular Clo. Co. Ltd.
Honolulu, T.H.

Of course, this is a seller label, not a manufacturer label, so the connection with Hawaii is somewhat tenuous. That is, the design of the tie has no apparent Hawaiian connection, unlike last week's tie. But this tie, at least, can be presumed to have BEEN in Hawaii, while a tie whose design is intended to LOOK Hawaiian, need never have actually been near the place physically.

So which form of Hawaiian-ness is the more authentic? I'll leave that decision for the existentialists or ontologists among you

T.H., one presumes, stands for Territory of Hawaii. Since this is presumed to be a 1940's era tie, Hawaii was not yet a state at the time of its original sale. Statehood for Hawaii would not come until 1959, 7 months after Alaska's statehood, but 47 years after the next most recent state to attain that rank, Arizona, which became a state in 1912.

Now, back to the tie itself. What are those grayish shapes scattered about? Are they paisleys? Depends on how you define the term, I suppose, but they most I'd give you is that they are paisley-shaped. Here are a couple of definitions of paisley that I like:

Paisley is a droplet-shaped vegetal motif, similar to half of the T'ai Chi symbol, the Indian bodhi tree leaf, or the mango tree. The design originated in India . . .

An oriental pattern motif which is shaped like a teardrop, rounded at one end with a curving point at the other. Generally the inside of the teardrop shape contains many abstract designs, many of Indian or oriental origin.

Based on these definitions, I'd have to say that the grayish shapes on this tie are teardrop shaped, not paisleys.

Now, however, consider the larger shapes, with their white backgrounds, inside of which the grayish teardrop shapes find themselves, surrounded by red blobules. These larger shapes, perhaps, meet the definition of paisley. They too, are teardrop shaped, and they are filled with abstract designs, though whether of an Indian or oriental origin could be debated.

So, might I be justified in describing the pattern on this tie as pseudo-meta-paisley? Maybe, at least if I keep my tongue tucked firmly in cheek.

Hawaiian Gardens

In recognition of the summer solstice, marking the beginning of the summer season, I present this tropical tie. Like Paisley Arches from three weeks ago, this tie has its design name, "Hawaiian Gardens" prominently printed on the small end of the tie.

I've had this tie almost as long as I've been collecting. It was a gift from my academy (high school) junior and senior year roommate. He bought it at a Goodwill store in Portland, Oregon, along with another tie and a 40's era suit, as he reminded me in a recent e-mail message. The whole package cost less than $15 as he recalls it. He gave me the other tie, also, and I'll be featuring it at some unspecified future date, no doubt.

Feathers for Father's Day

This is an especially special tie for a special day. I'm posting it on father's day in honor of my father, William Glenn Stuivenga, who passed away just over a year ago, on March 23, 2005. Born on October 20, 1921, in Tillamook Oregon, he was 83 years old at the time of his death.

This is one of the ties that he had owned and worn in the 1940's and 50's and which he passed along to me when I asked him for them. I posted his blue and red paisley tie back in January when I started this vintage tie blog.

But not only is this tie especially meaningful at this time because of its having been my Dad's, it is a special tie in its own right. It is certainly one of the most vibrantly colorful and dramatically designed ties in my collection. Two bright feathers (I suppose they could possibly be leaves) rest in a swirled pattern of brilliant color on a shaded gray background.

It has always been one of my absolute favorite ties, one that I loved to show and wear. I especially like the way it flares out slightly at the base, giving it a dramatic and dashing appearance. And the colors and pattern are quite wonderful. This tie would hold a prized place in my collection even if it weren't my Dad's.

Unfortunately, I had to give up wearing it some years back, as it is just plain wearing out. If you look closely, you may be able to spot the fraying along the bottom edge of the tie, and the thin central part, where it is tied, is fraying very badly as well. You can see part of it along the edges of the narrow piece on the left. Nowadays, I generally have it mounted in a shadow box, and hung on the wall, along with two other special ties that deserve that kind of special treatment.

Here are two pictures of my Dad from the approximate era when he probably wore this tie. He is not wearing a tie in either picture, but he probably only wore ties to church, or to weddings, or other similar formal functions. In the first picture he is shown with his father, William Stuivenga, my grandfather. In the second, he is shown with my Mom, Joy nee Manley, shortly after they were married. While neither picture shows him in a tie, they do at least give an idea of his appearance back in the era when he would have presumably worn this tie.

Green & Tan Paisley on Brown

Continuing a theme from last week, I present another paisley pattern. This is the third paisley on the blog, the first being my Dad's red and blue, the other, last week's Paisley Arches. Not much else needs to be said for this tie, it pretty much speaks for itself.

The paisley patterns are made up of smaller patterns that have an almost fractal quality to them, except that they, themselves are not smaller paisleys.

The tie's two labels read:

FISHER'S
Tacoma, Wash.

and

Fashion Craft
Cravats

Paisley Arches

Not too often does a vintage tie tell us straight out the name of the design. But this one does. Right on the narrow end, plainly printed, are the words "Paisley Arches."

And once you look at the design on the tie, especially sideways, you see that yes, indeed, there are arches, and they are filled with paisley patterns. How's that for a little alliteration? Plentiful plainly printed paisley patterns produce a picturesque piece.

On occasion, when wearing this tie, upon receiving comment upon it, I have attempted to engage the commenter in the activity of guessing the name of the design, sort of in a 20-questions mode.

Q. Well, what are these patterns called?
A. Paisely

Q. Ok, that's the first word in the name. Now, what would you call this pattern, especially if you consider them sideways?

Rarely could anyone guess the "arches" part, however.

This fine tie has two labels. The first reads:

KLOPFENSTEIN'S

The second:

Champagne Crepes
by Siar

Elongated Ovals

Browns, rust, orange, these seem to be popular tie colors for 40's era ties. This one is a basic brown, albeit with warm overtones, featuring yellow highlights. The little cross hatched lines in groups of three add interest through their business, as do the tiny ovals found in the fabric pattern itself, in larger patches of dark on light, and light on dark. Only the dark on light spots show up well in the scanned image.

This tie has an interesting label which reads:

Hollyvogue
Resilient
Made in California

"Hollyvogue" is certainly an unusual brand name, but as a quick Google search showed, the name is still in use today. In fact there is a HollyVogue.com web site, which states that

We are a family business that has over 40 years combined experience in the fashion industry including designing and manufacturing in both wholesale and retail markets. Our products are manufactured domestically as well as in Europe and Asia. Our family company name was Hollyvogue and we have now carried that name forward to our web site. We take pride in the quality of all our products as we have since the company's inception.

You can see the current line of HollyVogue neckties online.

I also located a site called Jabot's "HollyVogue" Vintage Boutique which boasts that it

is devoted to bringing you the finest quality authentic vintage fashions on the Internet. Shopped by some of the Finest Swing Bands in the Country! Our inventory ranges from the Victorian era all the way through the 1960s for men and women. Dry Cleaned and ready to wear!

Here's a link to their men's ties page.

White Crysknives on Red

This tie makes a bold statement with its pattern of white on a deep red or maroon color.

Unfortunately, the equally rich brocade pattern is not visible in the scan. You have to look really closely at the tie itself to make it out. Unless the light hits it just right, the brocade pattern is invisible on the tie itself at a distance of more than a few inches.

The brocade pattern is very similar, though not identical, to the shape of the white crysknife patterns that cover the tie itself. The use of the term "crysknives" is a reference to Frank Herbert's famous science fiction novel, Dune, in which the "natives" fashion knives from the teeth of the giant sandwords that inhabit their planet. That is what the white patterns reminded me of, and I couldn't think of anything better to call them.

The tie has a label sewn into the narrow end that reads, simply:

ARROW
MADE IN U.S.A.

Tropical Bird Plumage

So far I've put up ties with floral images, one tie depicting a fish, one with lanterns, and just last week, a tie that shows a folk scene from the Mexican countryside. But the majority of the ties have featured designs of a more abstract nature. Even the floral
images have been more decorative than realistic.

But continuing the theme from last week, if the theme be depictions of things that exist in the real world as opposed to abstractions, I present this fanciful peacock, illuminated by the glorious light of the moon.

One could debate, I suppose, over last week's image. Is that too, the moon floating overhead? Or is it the evening sun, sinking into the west? Whatever the case there, this is surely intended to be the moon here.

In order to display the picture in its entirety, I had to cut off the pointed tip of the tie, something I would ordinarily avoid. But I think it was justified here, as not showing the full image in all its splendor would certainly detract from the effect.

Notice that the small middle part of the tie is red, rather than navy, such that the knot would appear red, complementing the reds in the body of the bird, and the red feather highlights.

Inside the large end of the tie is the seller's label which reads:

J.S. Williams
San Jose
Calif.

Inside the small end we find the maker's tag which reads:

Tropical Bird Plumage
Cheney Cravats
All silk

Burro, Sombrero, and Hay Wagon

Friday was, of course, Cinco de Mayo, which is NOT Mexican Independance Day, but celebrates a great victory over invading French forces in 1862. That this is a holiday worth celebrating in the United States is due to the fact that the French were supporting the Confederacy, and the outcome of the Civil War could have been different, had the French won in Mexico.

Anyway, in looking for a vintage tie to post today, I thought of Cinco de Mayo, and tried to find something to celebrate all things Mexican. The best I could do was this charming folk image of the plucky burro, pulling the hay wagon, on which reclines the sombrero-wearing farmer, taking his justified rest from the labor of loading all that hay.

In the 40's, as now, tie makers often manufactured the same tie design in several different fabric colors, as shown here. For collectors, finding more than one of the colors is rare indeed, all these many years later. Here three colors are demonstrated, although I had to use the narrow end of one of the ties, in order to fit all three onto my scanner.

How did I come to find all three? They were part of an estate, where the gentleman who had owned them obviously liked the tie, and undoubtedly purchased all three at once. I found them at a vintage clothing store at Pike Place Market in Seattle, in 1991, the year we traveled back from Texas to attend our 20-year high school reunions, Arline at Auburn Academy, and me at Laurelwood. Somewhere in there, we found time to visit Pike Place Market, and I snapped up these ties, along with several others. There is another set of three matching like these, which I will post at a later time, and tell the rest of the story about the original owner of the ties.

None of the ties has a label in it. They must have been popular with their original owner, because they show some staining and signs of wear.

Enough for now. I'll just say "¡Viva Mexico!" and let it go at that.

Orange with Nonconcentric Green & White Circles

Now for something completely different, try out this specimen! Looks like it belongs on a circus clown's outfit, almost. Some of my friends have told me the spots look like martini olives, but since I'm a fan of tongue twisters, I like to call it my "spilt split pea soup" tie.

This tie belongs to a large class of vintage 40's era ties that were probably less expensive than the elaborately brocaded fabrics I began with on this blog. They are made of rayon, not silk, but costly or not, the bright colors and bold patterns are certainly a reflection of their times, and of the styles of that period.

I used to have a checked shirt (almost a plaid, but narrow stripes) in orange and green that I would wear with this tie when I was feeling particularly daring. I probably looked like a clown when I did! Nowadays it still makes a gaudy statement when I wear it with a solid olive green shirt, or occasionally with an orange shirt I own.

I've had this tie for many years, since the early 80's at least, possibly longer. It may be one I picked up in my college years, I just don't recall. But my earliest recollections of wearing it are in the several years prior to our move to Texas in 1984. So I know I've had it since then, at least.

The label reads:

Pilgrim
Reg. U.S. Pat. Off.
Rayon Cravats

Spring Blossoms

Now that spring has sprung and Easter has come and gone (although the liturgical season of Easter continues through the 40 days until Pentecost), I thought I should present a tie that befits the season. Strangely, while my collection includes a dozen or more ties featuring autumn leaves, I have precious few that depict spring themes. Here's one, anyhow.

This tie's pattern looks like it has a Japanese influence, perhaps. Spindly branches sport blossom clusters reminiscent of cherry blossoms. What ARE those large green tear-shaped objects? Ginko leaves, suggested my wife. Sounds good to me, I said.

Just for variety, I scanned this tie against a background of fabric from the shirt I generally wear it with. I wore this shirt and tie combination to church 3 times this weekend. Saturday morning at the Seventh-day Adventist church to hear the elite choir from my alma mater present the program in lieu of a sermon, Saturday afternoon at a memorial service for which I served as organist, and again this morning (Sunday) at the Episcopal church where I serve as the paid organist.

I hope you enjoy it as much as I did!

Gray with Rosebuds

This is the fourth and last, for now, of ties in this swirled matte brushed finish style which I've been featuring for the past month. I own at least one more tie in this style, probably the most spectacular of all, but am saving it for later, not to mention that it is currently mounted in a shadow box display, and I'll have to take it out to scan it.

This is the narrowest one yet, measuring only 3 inches across. I suppose this could mean that it is from a transitional period between the wide flamboyant 40's era and the ultra-narrow, more conservative 50's ties, but to be honest, I don't really know.

So what are the ten little red blobs which travel down the tie? They could be long-stemmed rosebuds, each with a pair of leaves just below the bud. You decide.

If you look closely (or download the image file and load it into image manipulating software so as to be able to zoom in on it) you can see extra stitching on the thin piece to the right, reinforcing the area which receives the most stress from being tied. This is a feature not found on most of my vintage ties, indicating a higher quality construction, perhaps.

The tie's one label reads: "BY d'Arsac PARK AVENUE NEW YORK", except that the "d'Arsac" is in a much larger display script font than the rest of the text, which is in a common block style.

Blue "crepe" ?

This is the next in the series of brushed surface style ties, this one in a bright blue with red and yellow highlights. My only complaint is that this specimen is not quite as wide as my favorites, measuring only 3 & 5/8 inches at its widest point.

I discovered (from examining vintage ties up for sale on eBay) that sometimes the fabric for ties of this style is described as crepe. I'm not 100% sure that the fabric of THIS tie (or the last two I've posted) should properly be described as crepe, but I just offer this as an observation.

Another thing worth noting is that if you tie it just right, theoretically, the knot will include the red striped section shown here on the narrow piece to the left. This is a common technique for these vintage ties, to change the fabric color so as to make the knot a different color than the rest of the tie, or to complement the primary color scheme in some way. Here the red of the knot would reflect the red highlights down the center of the tie, creating an interesting effect.

This particular tie is beautifully lined with an off-white satin finish fabric that has an elaborate floral pattern brocaded into it. Just inside the back, plainly visible if you turn over the large end of the tie, is printed

"Individually Hand Painted Pure Silk Made in California"

A label sewed to the inside of the small end reads:

"made and styled in california for Penney's."

Orange Lanterns

This is the second in my series of matte brushed finish ties. I'm not really quite sure what to call them, or how to describe them, but if you compare this one with last week's example, I think you'll see what I mean, especially if you compare them with the ones I've posted previously. If anyone knows what this style is called in the industry, officially or unofficially, please let me know.

On the reverse side of this tie is written in a beautiful almost calligraphic flowing script: "Hand Painted in Calif." This legend is itself undoubtedly hand painted. I'm not sure if this means that the ENTIRE tie is handpainted, or just the lanterns. I'd be inclined to think just the lanterns, except that the background lines themselves fade out where the lanterns are, so my guess is that the entire pattern on the tie, background and all, was hand painted. Again, if anyone knows more about it than me, please post a comment and let me know.

I've had this tie for quite a long time. My wife says she can't remember me not having it, so my guess is that it's another one I picked up back in my early days of collecting, probably while I was still in college.

There is a small label inside the large end of the tie that reads "Acetate woven with NYLON" and another larger label sewn onto the back side of the small end that reads

Resilient construction
Towncraft Deluxe Cravat
Fabric loomed in U.S.A.

Rusty Red and Yellow on Gray

This is an example of a quite different style of 40's era tie that I have enjoyed collecting. No shiny sheen with elaborate brocade woven into the fabric here. Instead, we have a more matte type of finish, featuring a sort of swirled background with free-flowing lines, on top of which are abstract colorful blotches of somewhat geometric design.

I don't remember when or where I obtained this tie. It might be another eBay purchase, I just can't recall. I have a few others in a similar style, and plan to put another of them up next week.

The tie has no labels, but inside both ends, the large end and the small end, on the lining fabric, is stamped the initials CWH. I would guess that these were put there by the tie's original owner, but I don't really know. They could be a maker's mark, I suppose, but not like one I've seen before.

This tie definitely shows its age, with some staining and wear. But it's still quite a dashing example of 40's style, and one that I get a kick out of wearing.

Red with Golden Globes

This is probably my favorite vintage tie in red. I'm not quite sure what it's supposed to be depicting. Some kind of fruit, I suppose, with leaves connecting them. It reminds me of the verse from Psalms (or is it Proverbs?) "A word fitly spoken is like apples of gold in pictures of silver." I just checked the King James Bible via a quick Google search, and it's Proverbs 25:11. I had a grade school teacher who loved to quote that verse, and did so incessantly.

I bought this tie early in my collecting life, during my college years, when I used to haunt the St. Vincent de Paul and Salvation Army stores in Walla Walla, Washington. Good vintage ties could often be found there, and I rarely had to pay more than a dollar or two for them.

I used to have a wonderful 40's era suit to go with this tie. I bought the tie first, and later bought the suit to go with it, which fact I was happy to impart to anyone I could get to listen. Paid $5.00 for the suit as I recall. It was off white, thick bulky wool fabric, with lots of colorful threads imbedded in it, the predominant color of which was a deep red perfectly matching this tie.

Actually, I think the suit is still in a box out in my garage somewhere, but unfortunately, my waistline expanded over the years, and I havn't been able to fit into that suit for years, and I'm don't suppose I ever will again. I should sell my old suits on eBay, I suppose. I had half a dozen 40's and 50's era suits. They were sure fun to wear! The ties still are. I wore this one to church today.

The tie has no sewn in labels, but it has a label printed directly on the fabric on the back that simply reads "HABAND." The brocade pattern consists of large squares, each of which contains 6 by 6 rows of tiny squares inside it. The squares are tipped onto the perpendicular.

Red and Blue Diagonals

Blue and red combined seems to be a favorite color combination for 1940's era ties. I've already posted one example, Dad's red and blue paisley. Here is another favorite of mine utilizing a similar color palette.

This one, if I remember correctly, I purchased on eBay back in the late 90's, probably 1998. That was when I made my first foray into online purchasing. I had fun buying several lots of vintage ties, also some stamps. My stamp collecting is relatively desultory, more off than on, but given more money, and more time, I'm sure I could spend more on both (stamps and ties).

This tie has a nice, albeit minimalistic brocade pattern, barely visible in the scan, if you look closely, consisting of paired squares, turned on their side, diagonally, reflecting the dominant pattern of the tie itself. That pattern of diagonals is laid out in diagonally oriented stripes.

How much more interesting this tie, however, than the typical plain colored stripes that are so prevalent in conservative ties: yesterday, today, and one assumes, tomorrow! Boo to those boringly traditional stripes, and hooray for colorful well-designed ones like these!